What Happened in 2023

Winter 2023

This is the last post of Strings Attached project, which officially ended this month as a grant-subsidized teaching artist project. I’m always happy to see students trying out new music activities and was especially happy to receive photos and an update from student Carli about a school project she has been working on this season, building a guitar. Carli is a student at MICDS (Mary Institute and Saint Louis Country Day School) Well done, Carli!

The guitar was created in our winter elective class at school. My partner and I decided to make a hand-painted Stratocaster with more artistic designs, rather than the typical wood gloss finish. The Winter-elective course was an 8-day class in which we spent most of our time, painting, glossing, and wiring the guitar’s electrics. The assignment’s goal was to learn how to be creative and create a guitar that looked original and broke typical guitar norms. The inspiration for the guitar was to make it seem as though it is in water, and that the Fish on the headstock and lily pad  near the bridge were in the water floating. All in all, the class was incredibly fun and insightful as I was able to incorporate my love for art and music together to create a unique and fun instrument. It also taught me the mechanics of repairing and constructing the guitar so that it is functional. Without the course I wouldn’t have learned as easily how to repair certain parts of the guitar without seeing the pieces individually.

Fall

November now, and I’m almost to the end of my second year of transition from a 25 year nonprofit, in-person music lesson career to a new start in online teaching activity. Third chapter of the story.

The demographics of the young people I’m teaching has shifted during these past two years. I’ve gone from 100% St. Louis, Ferguson/North County, Missouri youth to about 50% local youth. 45% are now out-of-state students I’ve met through the Internet, and 5% international students. Locals often don’t want web-based weekly lessons, but I still find it a fun, new, creative field. I’m meeting and instructing kids from all around the states, and enjoy that interaction beyond local boundaries imposed with in-person music lessons and regional grant restrictions.

This blog gets visitors from all over the world. Canada, England, Germany, The Netherlands, South American countries, and just about every place in the world has been recorded as coming to the blog to read and explore our stories, music and photos. This year we’ve been visited from these countries:

I’m also happy to welcome new students from these faraway places like Spain and Germany! Recently one of my local students moved to Germany – and she took our weekly ukulele music lessons on her journey. Theda now lives in Germany, but continues our weekly music lessons (afternoon for her, morning for me.) And I get to hear about her remarkable travels to Paris, castles, trips to London and Scotland, and all of Europe’s wonders as a bonus!

If you are in one of these faraway places, don’t be shy! Introduce yourself and inquire about meeting online for weekly lessons. I welcome and look forward to the opportunity of meeting you and teaching you something about guitar or ukulele!

Summer

Summer student songs at Mr. Steve’s covered a wide variety of material, but we primarily focused on picking apart studio guitar parts from songs like Stevie Wonder’s “Superstition,” The Jackson Five’s “ABC,” James Brown’s (I Feel Good) I Got You, The Staples Singers’ “I’ll Take You There” and The Eagles classic guitar epic, “Hotel California.”

In these songs we confronted obstacles like the F chord shape (the quitters’ chord) finger rolls, string bends, (and getting the right intonation,) pinch harmonics, riffs, playing horn parts on guitars, listening for instrument & vocal cues in a song, 60’s fuzz guitar sounds, triads, hand patterns, Freddie Green fat chords and much more.

Many of our long time students have moved on this summer to new musical adventures, now that I no longer teach or serve through non profit grants and other community funding. I continue to transition to new students through Outschool learning platform and other online contacts in the community. I hope they continue their studies and find much happiness in making music. I am very happy to have given them a start with lessons and music instruments, thanks to our generous sponsors over the past decade of Strings Attached.

The transition of 2022 and 2023 continues as I have become an official senior citizen and retiree. As a retiree, I now teach 6 days a week starting at 9 or 10 a.m. each day and finishing around suppertime. My lesson appointments are scattered, giving me time for reading the books I’ve collected over the years (and collecting more.) My online work methods allow me the luxury of earning a supplemental retirement income, helping kids learn new skills, and taking care of things around the house.

Looking forward to the cooler weather of the fall and changes of the season!

Spring

Getting out of music lesson lethargy and going beyond the lesson.

Often a parent will ask about what can be done when a student becomes lethargic about their instrument, taking music lessons, or practicing. It’s a good question and not an easy one to answer.

What I notice; Students who have the most success, and continue to exhibit enthusiasm for music studies, are those who use the skills they develop in class to become involved in music activities outside of the music lessons. Period. Hands down the quickest developing students are those who go beyond the music lessons for a music learning experience.

I always have a handful of students who use YouTube to develop new skills and learn songs, lead solos and techniques. Some get involved with school or church music programs in addition to their music lessons, They go beyond the weekly music lesson. They take the skills I’ve shown them in class and they put the skills to use in playing music with others in a consistent way. Playing live with others helps them to learn from making mistakes and correcting the mistakes.

Outside music activities keeps them motivated to learn more. It’s also more fun when playing with your peer group.

But, where does this happen?

That’s the tricky part, and the most challenging aspect to this dilemma. Sometimes it’s just organic. Young people form garage bands, or they go to public or private schools that still invest in music & arts programming, so there is daily exposure to playing music with classmates in jazz band, or group ukuleles classes, etc.

Examples: Currently I have one student who uses YouTube for extra lessons in songs he’s interested in. He plays music with his older brother and pursues music at school. I can’t keep the kid still in class because his mind races with music all the time, and he always wants to show me new things he’s learned – on his own. That’s a dream guitar student.

Another student, who has developed very quickly, sought out and found a music store that offers free community jam band experiences on the weekends. He’s getting weekly experience in working with a drum beat, bass players and the interaction that’s needed to perform a piece of music. This student is always motivated to learn more. No signs of lethargy with him. I wish I had more students like him. He went beyond the music lesson.

But those examples are few and far between. Performance preparation can be a real motivator, but many students are part of growing home school communities that don’t offer performance opportunities like talent shows or organized music activities. While churches often have church bands, they seldom invite young people to participate. I’ve been booted out of four churches in the past 25 years where I taught music to young people – and none had the slightest interest in any of the young people I worked with for their musical abilities. Not even a bit curious about their talents. And many schools also neglect and underfund music education as frivolous when compared to more “serious” studies like math, science and robotics.

If community leaders in schools, churches, politics and home styles send out these messages to kids, why would they be motivated to continue to pursue their instruments with any enthusiasm?

If I accomplished anything with Strings Attached project, I hope I demonstrated that lesson lethargy can be helped by putting together music recordings with students, group ensembles, or recitals & community performances at a library, ice cream parlor, a nature education center, or a park. Simple community performance gatherings help keep some young people a little more engaged in learning and motivated. I’ve retired from that involvement, but look through the decade of Strings Attached pages here on this website and please feel free to borrow the ideas to do it yourself!

Parents would also be surprised to know how many students report they don’t hear any music around the house. There doesn’t seem to be a lot of music appreciation within many home environments. That also sends a message to young people and creates a lack of familiarity with music genres and classic songs.

What you can do! Encourage and support a garage band. When I was young, my parents and neighboring parents sacrificed their peace and quiet and allowed the kids to make all kinds of musical noise in the basements. We must have driven them crazy, but without that support, none of us would have cared half as much about learning our instruments.

Create a music talent show at the local coffee shop, ice cream parlor or at a community event. Don’t wait for someone else to do it, because they probably won’t.

Let your school, home school group or church pastor/priest know that you think music education is important and they could help that education process by being more supportive with space or involvement.

Lastly, let music be heard in your home. Get out some of grandma and grandpa’s hippy vinyl from the 70’s and let the kids hear Led Zeppelin, Crosby, Stills Nash & Young, Chicago and Janis Joplin. And/or jazz, country/western, or folk. You never know, they might really like the stuff and want to learn how to play the songs!

January

While sports activities are great for kids, they do come with some injury hazards. I’ve received sudden emails from parents over the years that a student would need to take a month (or more) away from lessons because of hand, wrist or arm injuries suffered while playing with after-school sports teams.

In the past few months this has happened a couple of times – but now I have a new proposal to respond with: “Use the time to let the student experiment with creating music on Soundtrap for Education.” Soundtrap allows a student to experiment with creating their own music using live, loop or midi clips of music that can be patchwork-assembled into an original music composition. I recently became certified as an instructor on Soundtrap through Hal Leonard Publishing, and now use the training to introduce students to Soundtrap, especially if they’re unable to play instruments because of arm or wrist casts from broken bones or bad sprains.

Using the Soundtrap technology allows students to experiment with timbre, tempos, keys, dynamics, music editing, creating moods with music, and instrument use in ensemble composition. They also become introduced to ideas about scoring that are used in film, commercials and the background tracks of our daily lives where music is heard, but often not focused on.

Unfortunately, student Enosh experienced an injury recently and his parents emailed me that he would be away from lessons for a month while he healed. Enosh and I used the time instead on Soundtrap and within a few lessons, Enosh was using his creativity to come up with music themes. Together, we expanded the themes into A, B and C sections, interludes and tried out the sound of various instruments, being aware of the emotional differences that instruments & music makes to the listener.

Here are a couple of Enosh music pieces created on Soundtrap:

Melody Beat
Black Out

After the injury healed, and Enosh got back to his regular guitar lessons, he continues to update and edit his pieces. He seems to continue to enjoy creating new pieces and experimenting with sounds.

But don’t wait for an injury! (Let’s try to avoid that.) Please feel free to contact me to discuss some lessons for a month on Soundtrap to see what your young person creates!